
As the guests found their seats, the music evoked a sense of wandering through the forest with Snow White; a faux wooden arch stood at the place where the models would appear and begin to strut. The lights were red.
Then the beat dropped.

Characters as diverse as Little Bo Peep, Dorothy (complete with Toto), a dinner lady, a school girl, pajama-wearing Wendy from Peter Pan, a cowgirl, swashbuckling pirates and romantic damsels who like hanging out in meadows stomped down the catwalk.

Headgear came in many forms: ribbons, straw hats, scarfs, hats with frogs on, etc. The most interesting however, was the gold horned hairband which suggested that the girls had been cuckolded.
These tales come from many lands and eras but found a happy coexistence in this show, just like in the imagination of a child.Besides, a central theme did run throughout the show: that of the modern Alice in Wonderland. Whimsical dresses were paired with plaited pigs tails; a checkerboard pattern adorned almost every look. A sense of the surreal was created. Scarfs were worn at once with straw hats and pajamas as with chic 50s style dresses. A model carried not just a plaid handbag but also a Costcutter carrier bag, as if she’d just come from the shops.

This is a collection created with Sundays and the British countryside in mind. The British fabrics (tartan and plaid) complete this aesthetic. Nonetheless this collection wasn’t meant for lazy Sundays, but for the fantastical, the exciting. These tongue-in-cheek clothes are for those who miss the days when they could dress up. These clothes were designed for the girl inside the woman.
Katie Rose, German fashion magazine intern
Follow the fluffy white rabbit/ yellow-brick road/ticking clock to Vivienne Westwood's Conduit Street show room to see the collection for yourself. What? It is next to Sketch after all.
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